By Art Spander
NEW YORK — People seem to be fascinated by what’s over their heads. Didn’t the Drifters have a hit song in the 1960s, “Up on the Roof"? And every time there’s a new stadium that’s under cover, such as the Astrodome, bless its history, or an old stadium that’s under new cover, such as Wimbledon Centre Court, we’re enthralled.
When the Astrodome opened in 1965 with an exhibition game between the Astros (neé the Colt .45s) and the Yankees, there was a home run by Mickey Mantle and complaints that no one could see the ball through the then-translucent roof. Still, so enamored were we by the structure that it was proclaimed the “Eighth Wonder of the World.” Such naiveté.
Now there are domed stadia, ballparks and arenas, some of the coverings permanent, some retractable, from Seattle (Safeco Field, retractable) to New Orleans (the Superdome, permanent). And still we can’t get enough, especially the officials who have a new toy.
Centre Court at Wimbledon needed a roof practically since Victoria was queen of England. The 2000 men’s final, won by Pete Sampras, was halted so many times by rain it lasted seven hours. Naturally, when at last the $120 million retractable covering was ready, for the 2009 tournament, the weather was beautiful until early in the second week a few drops dripped. Elation. Close the roof. Thank you, Mother Nature.
So it was here at Flushing Meadows for the U.S. Open tennis championships. Five years running, 2010-14, the men’s final had to be delayed or postponed by everything from hurricanes to drizzles. Call in the architects. The new roof over the main court, at 23,000-seat Arthur Ashe Stadium, was finished a few weeks ago. U.S. Tennis Association officials even had media previews of the closing and opening.
Hey, if you can’t interview Roger Federer, that’s the next best thing.
All day Monday and Tuesday, like people watching for an invading force, Open execs searched the skies for even a cloud. Nothing. Finally, Wednesday, it turned. A bit of rain Wednesday evening. A great deal of joy for the USTA, if not for Rafael Nadal and Andreas Seppi, who competed in the first indoor match ever for the Open. If not the last.
Thursday was wet, and play was chased from the outdoor courts for a long while. But not from Ashe, where the stars performed. Andy Murray, the No. 2 seed, beat Marcel Granollers in straight sets. Then Venus Williams won over Julia Georges. It was different, but it was tennis.
No roars from jets ascending from LaGuardia but a constant din, like 5,000 crickets chirping or neighbors talking gossip across the back fence. As at all roofed stadiums, whatever the sport, the noise was unavoidable, although not particularly irritating.
“I don’t think it was too different to the other night when I played,” said Murray, referring to Tuesday, when he played the late match with the roof open at the Open. “But when the rain came, it was certainly loud.”
Murray the Brit (he’s Scottish not English) not surprisingly was selected on that night in June 2009 to be part of first full match under the Wimbledon roof. There were gasps and then cheers when the mechanism was deployed.
Murray was not totally overjoyed by what he heard at Arthur Ashe Stadium, or more specifically what he didn’t hear. It’s as if the tennis is being played in a hangar.
“You can’t hear anything, really,” said Murray. “I mean you could hear the line calls but not so much when the opponents — you know, when he was hitting the ball or you were hitting the ball.
“We’re not used to it. That’s what make it so challenging. Because we use our ears when we play. It’s not just the eyes. It helps us pick up the speed of the ball, the spin that’s on the ball, how hard someone’s hitting it.”
Venus Williams, in her 18th U.S. Open, was unperturbed by what others considered by the noise or anything else.
“You know,” she said about the pre-roofed Ashe Stadium, “there was a lot of noise last year. Over time you start to forget about the noise. So I think as a player, the higher the stakes the less you year. I do enjoy the quiet.”
To which one must add, “Shhhh.”